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Kuvatud on postitused sildiga Amor Loco. Kuva kõik postitused
Kuvatud on postitused sildiga Amor Loco. Kuva kõik postitused

2/19/2020

Fulmedesh – caracoles de una ciudad enterrada (2020)



  • Improvised music
  • Avant-garde
  • Electro-acoustic
  • Drone doom
  • Experimentalism
  • Spoken word
  • Abstract
  • Electronic
  • Psycho-acoustic
  • Sound poetry
  • Micronoise
  • Improvised noise

Comment: Fulmedesh is the long-distance project of Argentina-based Mariela Arzadun (ARP Odyssey, volca bass, guitar, field recordings, poems), and the US-based Keith Helt who runs the imprint pan y rosas discos (guitar, pedals, flute, keyboard, drums, computer, poems) who play an instance of improvised music full of feeling. More profoundly, the soundscape of six compositions is sonically and stylistically angular and spiked with sheer sonic effects, transgressive progressions, fast and frequently unanticipated turns. I did perceive how the music had resonated with sounds coming from the street outside which in fact consists partially of recorded real concrete sounds. In general, all the obligatory elements of experimental/improvised music/noise are represented and something a little bit else additionally here. Mariela Ardazun-played the austere sounds and minimally functional sonic trickery on the vintage Korg ARP Odyssey permeate throughout the course. At Oh yes! It was a different tiger o quién habló de eso antes Anne Boyer reads her poem Not Writing being performed on June 28, 2016 in Zagreb, Croatia. The personal favourite of mine is Forced Landing On The Stomach Of A Turtle which is channelized into a minimally trudging drone doom-laden rock composition being embellished with shards of electronics and stoned intonation. Addtionally to the Keith Helt curated imprint the issue is released in conjunction with Amor Loco.

10/01/2012

Fabian Racca - t-errormachine (2012)



9.0

/Drone, Minimal, Abstract, Noise, Avant-garde, Experimentalism/

Comment: this batch of 3 compositions does expose lush-textured steamrolling drones filled in with minimal phase changes, discrete burning and tickling pulsations beneath the core. However, onward this silence-near situation will be ruptured with a series of harsh metallic eruptions and mesmeric shuffles and overdriving effects and vowel-based interventions. In a word, these errors do incur impressive results recommended for any serious adherent involved in experimental music. Moreover, the errors are part of our life and if these errors are concerted in an accurate way the outcome can be a glittering deal by any means.