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Kuvatud on postitused sildiga 1988. Kuva kõik postitused
Kuvatud on postitused sildiga 1988. Kuva kõik postitused

12/15/2018

Krynge - Tuf Kld Spd Rcr (1988)




  • Avant-garde 
  • Experimentalism 
  • Abstract 
  • Noise 
  • Psycho-acoustic 
  • Non-music 
  • Freeformfreakout

Comment: just having read that the French president Emmanuel Macron has a helicopter on standby to evacuate him while France is controlled by a huge part of the nation, by the so-called yellow vests. While listening to this project of Zan Hoffman, and this half-hour issue (he reimagines recordings of his home taping friends like Swinebolt 45, and Minoy). I guess something analogously horrible and terrifying may be happening in the head of the leader now. Especially if there is up a comparison to the situation what happened in Romania exactly 29 years ago or what happened in France 229 years ago. In the latter case, the king did not have a helicopter and his attempt to run away with carriage failed. Musically it is a haphazard yet threateningly ecstatic blend of drumming, chimes and windbells, accidental electronic impulses, steam trumpets, buried shrieks and overamplified speeches, accelerated sounds of engines. Black noises are varied with torrents of howling brown noise attacks, yeah, it seems to be the frank analogue stuff. The issue which was initially released on ZH27 was re-released by the German imprint Attenuation Circuit in 2013 and providing a couple of minutes more music and a bit different content than the original one. The history repeats itself in a bit different manner.

12/02/2017

Yoshida Com – Onna No Kanojo (2014)


  • Electronic music 
  • Synth-pop 
  • Shibuya-kei 
  • Lo-fi 
  • DIY 
  • Electro pop 
  • Alternative dance 
  • Acid pop

Comment: this handful of tracks had been created approximately 3 decades ago in Japan on low price yet effectively propelling synthesisers and a drum machine called Alesis HR16. Light-hearted melodies, slightly extended and mutant chord ends, and naive yet catchy cadences with a slight tin-tinged flavour and occasional acidic attacks are composed in a way which can very certainly be considered as Japanese. At times it chimes like an example of pre-electroclash via rough simplification of post-punk music (especially at Scene 7). Thanks to Upitup for finding and exposing the Japanese DIY maverick to a wider audience.

1/18/2015

Minóy – Devil Music (1988)




/Noise, Electro-acoustic, Live session, Drone, Improvised music, Non-music, Experimentalism, Freeformfreakout, Avant-garde/

Comment: this live performed on an university campus by two US based noise musicians (Minoy, and PBK) turned into a controversial one because some attending people thought it was an act of diabolic worship presented on the stage. Eventually the live was shut down and the musicians were escorted off the campus. The issue consists of a pair of lengthy compositions which involves different styles and elements – from droning didgeridoo-alike buzzes and crackle-filled improvised guitar noises to Minoy invoked desperate screams and PBK`s played Moog sounds and effects. In a word, by listening to it today this chimes in an enchanting way. Do not give a heck to this legacy. I also recommend read a book, Minòy written by Joseph Nechvatal and dedicated to Stanley Keith Bowsza aka Minòy (1951-2010)         

1/19/2013